LC, founder of eFrog Press, hosts the Take the Leap blog and regularly blogs about all things ebook!

In my last blog post I introduced the 21 Senses exercises developed by two of the finest writing teachers I have ever known—Gary Bradshaw (1948-1994) and Frank Barone, active poet and retired teacher (derived from  the 21 Senses exercises in Donald Murray’s A Writer Teaches Writing). 

Now that we have covered the traditional senses (sight, sound, touch, smell, and taste), let’s explore the next four that can challenge a writer to add specificity.

SENSE OF THE SPECIFIC

This Sense shows the specific detail that makes one object different from other objects of the same kind.

I reached into the green-mesh bag of soccer balls for the game ball. Quickly I set aside two black-and­ white marked MeKasa soccer balls. These played well for practice, but I wanted the best ball for the game. Digging deeper into the bag, I rolled out two black-and-white MeKasas, yellowing from age. Shaking my head, I pulled out two Umbro soccer balls. Blue and red diamonds twisted around the balls. The hand stitching that bound them together spelled quality and pleased me. Grabbing one, I pressed in on it. Slightly under-inflated, this ball would flatten against the foot like a mushroom when kicked. Picking up the second Umbro, I pressed in on it, and, finding it firm, I tossed it to the referee. (more…)